Constance Charvin is a Paris-based artist and designer whose work explores the relationship between form, material and craftsmanship.

Trained at California College of the Arts and Strate Paris, she began her professional career at Louis Vuitton, where she spent five years within the Architecture & Design team. As a designer and project manager, she contributed to the development of the Objets Nomades collection, a dialogue between design, craftsmanship and contemporary living. She also participated in a range of in-house projects, extending from mobility and lifestyle objects to special creations for the Maison.

This experience shaped her approach to design: attentive to detail, guided by curiosity and grounded in the relationship between an object and its environment.

She later established her own design practice, developing a personal collection that moves between functional design, sculptural expression and collectible objects.

Her ceramic work draws inspiration from the marine world. Organic forms, fluid movements and the delicate balance of natural structures inform a collection of sculptural vases and unique pieces. Each work begins with a sketch and is shaped, finished and glazed by hand in her Paris workshop, allowing the material and the process to remain an essential part of the final object.

Alongside her personal collections, she creates bespoke pieces on commission, collaborating with collectors, interior designers and brands to develop singular objects for specific spaces, projects and visions. From the initial concept to the final finish, each commission is developed through a close dialogue between intention, material and form.

Her work has been featured in Oniriq, Numéro, ELLE, Goodmoods, and Art & Décoration.

In 2025, her work was selected for 1000 Vases during Paris Design Week, where she presented her Seaflower vase. That same year, she presented Rencontre en contrastes during Paris Art Basel, a collaborative exhibition exploring the dialogue between sculpture and painting, colour and white, and the unexpected harmony that emerges from contrast.

Constance’s practice explores a continuous balance between design and art, structure and movement, the rawness of mineral forms and the imprint of the human hand.